2020年伦敦大学亚非学院全球文化创意产业硕士入学条件及伦敦大学亚非学院全球文化创意产业硕士实习就业是申请留学的同学十分关心的话题,下面指南者留学详细整理2020年伦敦大学亚非学院全球文化创意产业硕士入学条件及实习就业相关信息供大家参考,其中包括2020年伦敦大学亚非学院全球文化创意产业硕士专业中文名、专业英文名、学制、学费、入学时间、授课语言、地理位置、课程领域、申请费、课程介绍、申请材料、课程设置、就业等。
专业介绍
英国伦敦大学亚非学院全球文化创意产业硕士全球文化创意产业硕士教授给学生全球文化创意产业方面的专业知识与实用技能。伦敦是一个拥有全球创意资本的城市。全球文化创意产业硕士是一个具有自身独特特点的专业,为对此方面感兴趣的学生量身定制。全球文化创意产业硕士涉及的知识面很广,包括考古与艺术史、媒体与电影研究、亚洲与非洲研究、多媒体技能等。英国伦敦大学亚非学院全球文化创意产业硕士全球文化创意产业硕士的学制为一年。
The MA Global Creative and Cultural Industries is a unique and tailored programme. Sitting within the SOAS School of Arts, it allows students to benefit from the combined expertise of the Department of Music, the Department of the History of Art and Archaeology, and the Centre for Media and Film Studies, while also accessing regional courses that build on the world-renowned expertise of SOAS as a centre for the study of the Middle East, Asia and Africa. Courses designed to develop a thorough understanding of the creative and cultural industries are supplemented with ‘pathways’ that allow students to focus on music, art/archaeology, media or film, and a set of practical multimedia skills courses. Students can also elect to take the optional ‘Directed Study in Industry’ to take maximum advantage of the opportunities available in London as a global creative capital city.
The MA is designed for two types of students. The first will typically be interested in pursuing careers as practitioners, managers, consultants, policy advisers and entrepreneurs in the creative and cultural industries in Europe, the Americas, the Middle East, Asia and Africa. The second will typically be more concerned with developing academic research in the creative and cultural sectors, and the intersections between industry, cultural policy and international development.
The MA has a core component comprising two half-unit courses, the first (‘Analytical Approaches to the Global Creative and Cultural Industries’) taken by all students, and the second allowing students to develop their expertise in a ‘pathway’ (chosen from ‘The Music Business’, ‘Asia and Africa on Display: Objects, Exhibitions and Transculturation’, ‘Studies in Global Media and Post-National Communication’, ‘Global F